A rare 10.08-carat fancy vivid pink diamond ring, named The Glowing Rose, is set to take centre stage at Sotheby’s upcoming High Jewellery sale in Geneva on 12 November. Expected to achieve around USD 20 million, the stone represents one of the most important pink diamonds to reach the auction block in recent years.
This exceptional cushion brilliant-cut diamond crafted by luxury jeweller Boodles originates from a 21-carat rough unearthed in Angola in 2023. Its vivid, pure pink hue and balanced proportions exemplify the rarest qualities of natural fancy coloured diamonds. According to Sotheby’s, it is only the third cushion cut vivid pink diamond over 10 carats to appear at auction within the past decade.
The cushion cut, recently popularised by Taylor Swift’s engagement ring, has become increasingly sought after among collectors for its romantic and timeless appeal.
Sotheby’s has a strong record of achieving exceptional results for vivid pink diamonds. In 2022, the auction house sold the Williamson Pink Star an 11.15 carat, fancy vivid pink, internally flawless diamond for USD 57.7 million in Hong Kong. The following year, a 10.57 carat vivid purplish-pink diamond fetched USD 34.8 million in New York. Earlier this year, Sotheby’s Geneva achieved USD 21.5 million for the Mediterranean Blue, a 10.03-carat fancy vivid blue diamond.
“With the continued global demand for rare coloured diamonds, we are delighted to present The Glowing Rose,” said Jessica Wyndham, Head of High Jewellery at Sotheby’s Geneva. “Following the remarkable success of the Mediterranean Blue, this sale offers collectors another extraordinary opportunity to acquire a truly exceptional gem.”
Before its appearance in Geneva, The Glowing Rose will be showcased in Singapore and Taipei, giving collectors and connoisseurs a preview of one of the year’s most significant pink diamonds.
DCLA notes that fancy vivid pink diamonds remain among the most coveted and valuable gems in the world, combining extraordinary rarity with strong global demand from collectors and investors alike.
LVMH’s watch and jewelry maisons saw organic growth of 2 per cent in Q3 2025, driven by Tiffany & Co. and Bulgari, the company said in an update published yesterday.
It follows two consecutive quarters of zero growth for the sector.
Overall, the French luxury conglomerate reported quarterly organic growth of 1 per cent (up to EUR 18.3bn) across its 75 maisons, led by fashion and leather goods. In Q1 it fell by 3 per cent and in Q2 by 4 per cent.
Total revenue for the watch and jewelry sector was EUR 2.3bn for the quarter, and EUR 7.4bn for the first nine months of 2025.
LVMH, which owns Bvlgari, Tiffany & Co., Chaumet, Fred, Repossi, TAG Heuer, Hublot and Zenith, does not provide figures on a brand-by-brand basis.
It said Tiffany & Co had “continued the successful enhancement of its iconic lines and the global rollout of its store concept inspired by The Landmark in New York”. And it reported high levels of traffic and revenue at its new stores in Milan and Tokyo.
LVMH said sales across all sectors were down year-on-year in Japan and stable in Europe and the US and up in Asia.
The conglomerate “showed good resilience and maintained its powerful innovative momentum despite a disrupted geopolitical and economic environment,” it said.
Anglo American CEO Duncan Wanblad says the sale of De Beers will involve one or two shortlisted buyers alongside the government of Botswana, rather than the usual two-round selection process.
Wanblad (pictured) told the Financial Times Metals and Mining Summit (held in London and virtually): “This isn’t going to be the classical first round, second round sale process that you would ordinarily receive for businesses of this type.
“What we are planning to do is now move into the second round with one or two of the potential selected buyers that came through the first round with us and work with the government of Botswana in finalising an agreement that works not only for the potential buyers, but also for Botswana.”
Anglo is expected to raise $3bn to $4bn from the sale of its 85 per cent stake in the loss-making diamond miner. The remaining 15 per cent is owned by the government of Botswana, which wants to secure a majority holding, and to do so by the end of this month.
Angola’s state-owned mining company Endiama has submitted a fully financed offer for a minority stake, as part of a pan-African proposal, which would include Botswana, Namibia, and South Africa.
Former De Beers CEOs Bruce Cleaver and Gareth Penny are leading bidding consortia and there is speculation about interest from Qatari and other Gulf investors.
Botswana is seeking a greater interest in De Beers, and Angola is seeking an interest too. To the mind of diamond luminary Martyn Charles Marriott, this could be an opportunity to return to old strengths and disciplines.
In an article on the website of the International Diamond Manufacturers, Marriott cautions Botswana about going it alone and falling into the trap of yet again putting all its eggs into one basket.
Marriott notes that the current deal Botswana has with De Beers is fantastic in that 80% of mine profits go to Botswana – a level that far surpasses anything in the mining industry anywhere in the world.
Marriott expresses the view that the debate now under way about the future of De Beers presents an opportunity for a return to the discipline and control of the natural diamond market.
Many recall that the best economic viability of the diamond industry took place in the days when it had a stockpile and a quota approach, which kept supply and demand in crucial balance.
In addition, large sums were spent on unforgettable advertising campaigns and the entrenchment of the global diamond engagement ring tradition.
Collaboration is what gave diamonds their old strength; fragmentation is what is causing their current weakness.
Marriott recalls how collaboration led to flow of alluvial diamonds from West Africa being absorbed by the diamond buying offices that were created at source. In addition, Russia recognised the way in which the collaborative approach was good for everyone, from diamond miners through to diamond cutters, diamond traders, and diamond consumers.
It was Marriott, as the then manager of De Beers Dicor, who persuaded the government of Sierra Leone about the benefits of collaboration. This was ahead if his departure from De Beers, which coincided with the discovery of diamonds in Botswana, where he played a key consultancy role from 1970 to 1983.
It was then that Botswana was persuaded that the Central Selling Organisation system could uplift its economy – but with the caveat that the diamonds had to be properly sorted and valued, and production at Botswana’s Orapa was increased to a level that helped Botswana secure a favourable quota. It was also Marriott who initially proposed that the future development of the mines in Botswana should be by an equally shared 50/50 company.
For more than a dozen years, Marriott was a member of Botswana’s negotiating team with De Beers, which secured the very high level of profits that would accrue to the Botswana government from the development of its diamond mines. During the joint development of Jwaneng, he coordinated Botswana’s inputs into the project.
Interestingly, in 1980, even the Australians were persuaded about the merits of the Central Selling Organisation for the Argyle mine.
From 1985 through to the end of the century, Marriott was heavily involved in the restoration of the Angolan diamond industry, as consultant and valuer to Endiama, the article in on the website of International Diamond Manufacturers recalls.
In this instance, as production in Angola was then small, Marriott initially advocated sales by tender amid the build up a successful sales procedure that was eventually undermined by corruption.
The establishment of the Kimberley Process also came about with Marriott help, but unfortunately, in 1986, the diamond world began to disrupt. Argyle and De Beers ceased their cooperation. The Russians became increasingly independent, and Canadian mines opted to market their production separately.
Now synthetic diamonds are adding to the competition.
Meanwhile, Martyn’s two sons, Luke and Benjamin Marriott, are continuing worldwide valuing and have developed eValuer, a system of pricing and valuing diamonds.
“I relate all the above to demonstrate the experience that leads me to write this article concerning a possible future for the natural diamond industry based on cooperation between the African producers,” Marriott writes.
“I must admit that I found no enthusiasm for my ideas for African cooperation during my time working for the Government of Botswana. Moreover, at the end of my work there, I was at odds with its policy. I did not believe in the move towards local processing. I felt it unlikely that local establishments could compete with the industry as it stood, particularly the Indians. I preferred a sovereign wealth fund, further development of the cattle industry, tourism, and concentration on developing other industries. I felt that the pressure on De Beers for local processing could equally well be used on them and Anglo American to develop other industries.
“However, times change. Botswana is seeking a greater interest in De Beers, and Angola is seeking an interest too. To my mind, this could be an opportunity to return to old strengths and disciplines. Some sort of OPEC for diamonds that could provide a basis for the future,” Marriott proposes.
Two men have been arrested in India, accused of a sophisticated online fraud in which they obtained diamonds worth $542,000.
They and their accomplices allegedly posed as genuine US-based buyers on the RapNet trading platform.
They negotiated the purchase of diamonds from six traders in Surat, had the stones shipped, then disappeared without paying.
Police in Surat say they have arrested two men from the city – named as Nikunj Ambaliya and Mitul Goti – and are pursuing eight other suspects.
Officers were first alerted by trader Sanjay Goti, who sold a $90,000 diamond to man who identified himself as Arson Isaco.
Payment was due within seven days. But Goti became concerned when “Arson Isaco” made excuses, then switched off his phone and failed to pay.
Five other traders subsequently came forward with similar accounts, relating to six diamonds.
Goti said he’d contacted a number of diamond firms in Surat and had confirmed that a buyer of that name existed.
The accused men posed as employees of US diamond firms and took delivery of the diamonds in Dubai, Hong Kong, and Bangkok, said Karanraj Vaghela, of Surat police.
“After investigations, we arrested Nikunj Ambaliya and Mitul Goti, and identified Chetan Suthar and Anuj Shah as co-accused. These four, along with six others, conspired to cheat reputed diamond traders in an international diamond fraud.”
Sotheby’s sales of fine jewelry and watches in Paris raised over $10.9m (EUR 9.3m) last week – the best results for the twin events since 2018.
It was the fourth consecutive white glove sale – an auction in which no lot is left unsold – for fine watches, and nearly half the 269 jewelry lots exceeded their pre-auction high estimates.
Sotheby’s said the results demonstrated “continued strength in the market” and confirmed the strong and growing position of its jewelry department on the international stage.
Notable highlights included a 10.68 carat Kashmir sapphire and diamond ring that sold for $761,000 (EUR 698,500) – more than twice its high estimate -and a Burmese sapphire and diamond Cartier ring with an 18.25-carat sapphire that realized $609,000 (EUR 558,800).
Two lots sold for more than five times their high estimates a diamond pendant that fetched $45,400 / EUR 43,000 (estimate $6,300 to $8,400 / EUR 6,000 to 8,000) and a pair of deGrisogono black and white diamond earrings that sold for $40,000 / EUR 38,000 (estimate $5,300-$7,400 / EUR 5,000 to 7,000).
A Cartier yellow gold wristwatch with bracelet gifted to Joseph Losey, the American film and theater director, by his close friend Elizabeth Taylor and accompanied by an unsigned cigar box gifted by another friend the famous French actor Alain Delon, circa 1967, sold for $111,000 (EUR 95,250).
Okavango, Botswana’s state-owned diamond company, says its planned sale of 1m rough carats last month was not “an emergency tender”.
And it says the fact that it didn’t sell a single stone didn’t mean it was a failure. Rather, it was the result of a “deliberate and prudent decision to withhold certain goods”.
The “closed” tender on 25 September was reportedly aimed at raising revenue for the government (something the company denies) which had been severely hit by the slump in demand for natural diamonds. But buyers weren’t prepared to pay the reserve prices.
“Withholding goods in the short term ensures better outcomes for the market,” Okavango Diamond Company’s managing director Mmetla Masire (pictured) said in a statement.
“We will not join the race to the bottom on prices, our focus is on protecting the integrity and enduring value of Botswana’s diamonds.”
It said the tender was scheduled back in July and was part of regular sales management, not a last-minute revenue-raising emergency.
The ad hoc tender was a marked departure from the norm. ODC usually holds about 10 scheduled online spot auctions annually for registered buyers, typically raising at least $60m.
The company now sells 30 per cent of the rough output from Debswana, the 50/50 joint venture between the Botswana government and De Beers.
A spectacular 6.95-carat fancy vivid purplish pink Golconda diamond will lead The Geneva Jewels Auction: V, as Phillips Geneva prepares to offer an extraordinary collection of jewels once owned by the legendary Vanderbilt family, once America’s richest dynasty.
Among the highlights is a Tiffany & Co. 42.68-carat sugarloaf Kashmir sapphire and diamond brooch, estimated at US$1 million to US$1.5 million, alongside a step-cut Kashmir sapphire and diamond ring weighing 18.09 carats (estimate US$2.2 million to US$2.8 million). The sale also features a stunning pair of brilliant-cut diamond ear studs, weighing 8.00 and 8.28 carats, both graded D colour, VVS1 clarity, with an estimate of US$600,000 to US$850,000.
The Vanderbilt name is synonymous with immense wealth and American industrial power. The family’s fortune began with Cornelius Vanderbilt, who, at age 16, borrowed $100 from his mother to start a ferry service in 1810. He later built a shipping and railroad empire that made him the richest man in the United States, worth about $100 million at his death in 1877 — equivalent to at least $185 billion today.
His son, William Henry Vanderbilt, further doubled that fortune to over $200 million (around $370 billion in today’s terms). However, the family’s wealth gradually dispersed over subsequent generations, with the combined net worth of the Vanderbilt descendants now estimated at around $200 million.
The Geneva Jewels Auction: V, featuring The Vanderbilt Family Jewels, will take place on 10 November at Phillips Geneva, marking a rare opportunity for collectors to acquire pieces linked to one of America’s most storied families.
A rare Fabergé masterpiece — the Winter Egg, crafted in 1913 from rock crystal and adorned with 1,660 diamonds — is set to reclaim its world record with an estimated sale price exceeding $27 million when it goes under the hammer at Christie’s London on 2 December.
Commissioned by Tsar Nicholas II as an Easter gift for his mother, the Dowager Empress Maria Feodorovna, the exquisite egg was designed by Alma Theresia Pihl, one of only two female artists to ever design for the House of Fabergé.
Standing four inches tall, the Winter Egg opens to reveal a platinum trelliswork basket of carved quartz flowers, each delicately set with rose-cut diamonds and demantoid garnet centres, resting on a base of gold moss. The egg itself sits upon a rock-crystal plinth shaped like melting ice, symbolising the transition from winter to spring — a theme often celebrated in Fabergé’s Imperial creations.
The piece will be the centrepiece of The Winter Egg and Important Works by Fabergé from a Princely Collection sale. Christie’s confirmed the estimate is “in excess of £20 million” (US$26.9 million).
The Winter Egg has twice held the world record for a Fabergé piece sold at auction — fetching $9.1 million in Geneva in 1994 and $9.6 million in New York in 2002. The current record holder, the Rothschild Egg, achieved $11.9 million at Christie’s London in 2007, a benchmark the Winter Egg is now poised to surpass.
Between 1885 and 1916, the House of Fabergé produced 50 Imperial Easter Eggs, with 43 known to survive today. Most reside in museum collections, while only seven, including the Winter Egg, remain in private hands — making this sale a landmark moment for collectors and historians alike.
De Beers has unveiled its largest natural diamond campaign in over a decade, reaffirming the beauty, rarity, and authenticity of natural diamonds in an era where lab-grown stones are increasingly prevalent.
The new campaign, titled “Unlike Anything,” introduces Desert Diamonds — a collection inspired by the natural hues of the desert, showcasing warm, earthy tones that celebrate individuality and the timeless connection between nature and human emotion.
As mass-produced, lower-cost lab-grown diamonds continue to gain market share, De Beers’ message is clear: natural diamonds remain unmatched — each one a product of geological wonder, billions of years in the making, and entirely unique.
According to De Beers, research found that 90% of consumers expressed interest in purchasing a Desert Diamond as a distinctive expression of style and a symbol of connection with nature. The campaign positions these desert-inspired shades as markers of authenticity, highlighting how the nuances in colour reflect the natural beauty and individuality of each stone.
“With Desert Diamonds, the ancient sands of time meet today’s zeitgeist for authentic beauty,” said Sandrine Conseiller, CEO of De Beers Brands. “Natural diamonds are unique and rare – no two are the same. Their colours have been forged by nature and perfected over billions of years.”
The growing appreciation for warmer diamond tones has also been influenced by high-profile figures such as Taylor Swift, whose engagement ring features a vintage old mine-cut diamond with a soft “candlelight glow,” as well as Kim Kardashian and Doja Cat, both of whom have embraced the desert-diamond aesthetic.
Industry analysts note that De Beers’ strategy goes beyond aesthetics. Chandler Mount, founder of Affluent Consumer Research Company, commented:
“Desert Diamonds mark a shift from diamonds as objects to diamonds as identity. De Beers isn’t just selling colour — they’re selling character. This is white space strategy executed with emotional intelligence.”
For the DCLA (Diamond Certification Laboratory of Australia), which upholds the highest standards in natural diamond grading and certification, De Beers’ campaign reinforces a vital message: authentic natural diamonds remain irreplaceable — not only for their enduring beauty, but for the story each stone carries within it.
